I delightfully realized lately that I had been incorporating Renaissance art techniques in my photography, and I hadn't a clue I'd been doing so! Therefore, I have to reflect upon it and why it works so well. This article reflects on the Master techniques of chiaroscuro, foreshortening, sfumato and contrapposto.
CHIAROSCURO
This technique is one which, in Italian, literally means "light/dark". It's a technique utilized most famously by Rembrandt, in whose paintings very dramatic moods can be achieved by allowing certain subjects to be in light, and other areas to be obscured in darkness. The artist can be kind of a tease with this technique, choosing what to show you in light, and what secret crazy things - up to your own imagination! - might be happening in the darkness.
At left shows a groomsman waiting for the wedding to begin. Modern photography allows me to achieve a chiaroscuro effect by affecting contrasts, highlighting the bright significant area (his face) and darkening the background lesser significant areas. If this had been a Rembrandt, maybe some gargoyles or creepy angels could have been playing around in the dark corners. Who knows what they're up to!
FORESHORTENING
This technique most famously used by Botticelli in "Mourning Over the Dead Christ" is a consideration of perspective, which allows the artist to enhance subjects by portraying foreground items closer and larger to the viewer than background items.
One of my engagement couples. While they are both significant in the composition, what is more significantly being portrayed is particularly her engagement ring. Foreshortening also works wonders for those iffy about having their photo taken due to body size. Shot from above looking down, everyone looks slimmer in photos because the body is more distant and becomes minimized. Regardless if subjects are larger or not, from-above shots always flatter (and never produce the double chin effect!).
SFUMATO
Digital photo editing is wonderful when it comes to replicating sfumato. By means of blurring certain corner and background details to look misty and dreamlike, often the subjects come to stand out in fabulous ways that make them appear to "pop" off the page. Love it.
CONTRAPPOSTO
My sister's husband will be alight to know he's my example alongside "David" for contrapposto composure. I love this shot. Additionally, the fun story behind this image is that these two actually wanted to pose this way specifically to mimic the posing of Audrey Hepburn and Gregory Peck in the staircase shot from Roman Holiday. Nothing more refreshing than creative photo subjects :) .
Here's to Master Artists and their timeless artistic techniques which still are fabulously being used even in our digital art world today.